Alexander Gast
the summer of the cicadas
In the summer of 2024, two scheduled broods of cicadas overlapped for the first time in 200 years. This poem is an apocalyptic re-imagining of that summer. What would it mean, I asked myself, to have cicadas everywhere? What are the implications of this super-event on love and loneliness? Fundamentally, it is a poem of contrast: fullness, emptiness, the canyons and the bridges between the two. The narrative also yielded great opportunities for play; I had so much fun on the sonic level in this poem, particularly in crafting the “split spilt chips” line. I also enjoyed telling an absurd story in a somewhat serious register. Everything I know about poetry I owe to the teachings of Ross White, Carlina Duan, and Gaby Calvocoressi, as well as the teachers I have only experienced on the page: Carl Phillips, Diane Seuss, Ellen Bryant Voigt, T.S. Eliot, and many, many more.
it was the summer of the cicadas, which meant bodies
everywhere – molted to the barn doors, petals,
windowpanes, spat and stuck like outgrown bubblegum
to the sidewalk. each cloud was an avalanche of antennae,
thoraxes against thoraxes. each song on the radio:
the whirring of wings.
i drank a beer downtown
and plucked little legs from its foam. stuck in my teeth.
a bitch, aren’t they? said a girl three stools down,
and i said i guess so, ‘cause they were, and i don’t disagree
with pretty girls in sundresses. she bought me another.
outside,
abdomens eclipsed the windows. shuttered the sun.
when we walked to her car they crunched beneath us
like carpet-pretzels, like split spilt chips. her bed smelled
of sap and summer sweat and lavender.
thank god i found
you, i said, and sundress wilted to floor. her skin unzipped
and her face peeled off like a hood. she kissed like they do
in movies, blossoming bugs through my throat.
these days,
i cough black bile and crave twigs, twin wings sprouting
from my shoulder blades. each night i sit in the garden
and listen to them sing, and i wake in the dirt to that
strange, cicada sun.
Alexander Gast, 21, lives and writes in Chapel Hill and attends UNC as the 2022 Thomas Wolfe Scholar. More of his work can be found in Shooter Literary Magazine, Ghost City Review, and Oyster River Pages.
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